![]() ![]() Deprive is structured as a sort of slam “riff salad” a la Suffocation rather than gratuitously stringing breakdowns together. It’s not even slam, really the music has an aversion to the formulaic ideal of gluing power chords together. Unfortunately, the album’s brief length keeps it from reaching its maximum potential.Ĭam’s sense of song structure is the strongest fiber in Disfiguring The Goddess’s fabric. Deprive is heavy and brutal without being over the top, with staggering production values and songs that have a developed sense of instrumentation as well as vocalization. This is the reason the genre is starting to become both more popular and more accessible – more and more people are realizing that slam doesn’t have to be taken seriously, when it was formerly a genre that even 99% of metalheads wouldn’t touch. The magic of Disfiguring The Goddess is that Cameron Argon doesn’t take his music seriously at all. The musical premise is fairly ridiculous – vocals that sound like draining water, frequently incompetent guitarists, and muddy, tin-can production – but a premise that is still taken seriously by a vast majority of slam artists. It’s easy to see why brutal death metal and slam are rarely taken seriously. ![]()
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